Research
Being popular means getting noticed by many. Since the early modern period, the scope and reach of the popular have grown – slowly at first, then rapidly and explosively in the 20th century.
How does this transform the social standing of the popular? And conversely, how does the popular reshape society itself?
The Collaborative Research Centre 1472 “Transformations of the Popular” addresses these questions through three research areas encompassing 20 subprojects, alongside interdisciplinary working groups and research workshops.
Teilprojekte und Arbeitsgruppen
Staging of crime: Gangsta-Rap in Interactive Identity Practices of Young People
A03 (2021–2024)
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Pop, Literature and the “New Sensibility”: Theories, Ways of Writing, Aesthetic Experiments
A06
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Cheap Images. The Popularization of Art-Historical Color Reproductions in the 20th Century
B02
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Paradoxes of Popularity – Between Hidden Champions and Everyday Entrepreneurship
B06 (2021–2024)
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Fabricating “the people” – Negotiating Claims of Representation in Social Media in Post-Gezi Turkey
C01
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“One of us” – Discursive Constructions, Media of Participation and Linguistic Practices of Mayoral Communication in the Crisis of Political Representation
C04
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African Musics and Politics: Negotiating Violence in South African Popular Music
C05
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‘Self-made religion’? Transformations of Popular Theological Discourses in the Mirror of the Reception of Publications by Johann Heinrich Jung-Stilling
C06
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Zwischen Volk und Forsa – Situative Popularität und ihre Folgen für die repräsentative Demokratie
C07 (seit 2025)
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Prekäre Popularität: Politischer Populismus als Delegitimierung administrativer Verfahren
C08 (seit 2025)
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Popularitätsresilienz: Rechtfertigungslogiken des Nicht-Populären
AG4 (2021–2024)
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